How many dawns, chill from his rippling rest The seagull's wings shall dip and pivot him, Shedding white rings of tumult, building high Over the chained bay waters Liberty--
Then, with inviolate curve, forsake our eyes As apparitional as sails that cross Some page of figures to be filed away; --Till elevators drop us from our day . . .
I think of cinemas, panoramic sleights With multitudes bent toward some flashing scene Never disclosed, but hastened to again, Foretold to other eyes on the same screen;
And Thee, across the harbor, silver-paced As though the sun took step of thee, yet left Some motion ever unspent in thy stride,-- Implicitly thy freedom staying thee!
Out of some subway scuttle, cell or loft A bedlamite speeds to thy parapets, Tilting there momently, shrill shirt ballooning, A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks, A rip-tooth of the sky's acetylene; All afternoon the cloud-flown derricks turn . . . Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews, Thy guerdon . . . Accolade thou dost bestow Of anonymity time cannot raise: Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused, (How could mere toil align thy choiring strings!) Terrific threshold of the prophet's pledge, Prayer of pariah, and the lover's cry,--
Again the traffic lights that skim thy swift Unfractioned idiom, immaculate sigh of stars, Beading thy path--condense eternity: And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited; Only in darkness is thy shadow clear. The City's fiery parcels all undone, Already snow submerges an iron year . . .
O Sleepless as the river under thee, Vaulting the sea, the prairies' dreaming sod, Unto us lowliest sometime sweep, descend And of the curveship lend a myth to God.